Green 900

This chair was created in 1952 by designer Harry Bertoia. This piece of furniture has remained an iconic object in the history of product design, with its modern air that fits easily in any interior. It is also available as Diamond armchair.

With a design inspired by the look of a surfboard, Eames Elliptical table can become the centerpiece of your living room. Together with a sofa or several chairs with a modern look, this is perfect for entertaining guests invited at a party on a weekend afternoon.

This table is also ideal for displaying your collection of manufactured ceramics or your favourite magazines. Your family room will acquire a fresh, modern vibe. Using a black birch top and metal legs, the designer Charles Eames has been able to turn the Elliptical table into an item with double-aim: aesthetic and practical.

The industrial chair is the perfect combination of tradition and innovation. This new, both comfortable and functional silhouette creates a perfect style in any environment. With a curved chromed frame, this stackable chair is a design object.

Argyle high back chair was made by Scottish architect Rennie Mackintosh for Catherine Cranston's Teapot Room in Glasgow, around 1898-1899. The furniture design for tea sets was Mackintosh's first major project. The chair was exhibited in 1900 at the eighth exhibition in Vienna. Mackintosh had an important contribution to the development of the Viennese artists' community.

This armchair by Charles Eames with its timeless design has metal legs and an external rosewood structure. Upholstered with polyurethane foam and feathers, this piece of furniture is the ideal choice for those who seek utmost comfort. The leather cover and the rosewood give the product a stylish look. Regardless of the interior design of your home, this armchair will definitely give it extra style.

Inspired by simplicity, the modern Barcelona chair, in minimal style has radically changed the traditions of interior design. Undeniably influenced by Japanese simplicity, this minimalist piece of furniture proposes a simple, clean, airy presence, to the exclusion of any entanglement of objects or crowding that might give a sensation of suffocation and pressure. The brightest examples in this style reunite an inspired design and quality pieces, producing a simple but effective result.
Mies van der Rohe designed this chair, specifically for the Barcelona pavilion, made of metal and leather. He had envisioned these chairs as thrones for the King and Queen of Spain for their encounters with the German ambassador in 1929.

With a tubular base in polished chrome and upholstered with leather of different colors, Eileen Gray uses this jolly armchair in many of its interiors. The design was influenced by the appearance of the famous Michelin mascot, the tire manufacturer, Bibendum remaining its registered trademark. Gray alluded to Le Corbusier's song, 'Grand Confort', joking that Bibendum was its feminist replica.

Created in 1928, this chaise longue is renowned for its relaxing sensation due to the design that mimics the natural shape of the body and can be adjusted in various positions. This piece of furniture is part of the permanent collection of the Museum of Modern Art in New York. Each piece is signed, making it part of the Cassina's Masters collection, licensed by the Le Corbusier Foundation. This lounger is made in Italy.

The famous glass coffee table by Noguchi Isumi is made up of three parts: the glass countertop and the two wooden elements that form the base, which appears to be carved.The concept of the coffee table was created in 1939 for A. Conger Goodyear, the director of the Modern Art Museum in New York. In 1945, architect Robsjohn-Gibbins released a slightly modified version of the table and granted copyright for this product. Thus, Noguchi accused him of plagiarism. In the 1950s, George Nelson, who liked the designer for his talent and work, contributed to the mass production of this piece of furniture.

Following a trip to Japan where he saw a number of objects made of plastic and polyurethane, Noguchi created a stool made of similar materials. "In 1954, I created a swing which Hans Knoll liked. I thought I'd make it in plastic, but he preferred a wire mesh design like Bertoia's, so he asked me to convert the chair into a table." After switching from plastic to wire and going to a bigger size, the Cyclone table was added to the Bertoia collection for several years. The table was removed from production in 1974 but was reintroduced in 2003 in cooperation with the Noguchi Foundation, the design being meticulously reproduced after Noguchi's original sketches.

According to Frank Lloyd Wright, "Every chair must be designed for the building it will be in."

He saw chairs as an architectural challenge. He would often use tall chairs with straight lines to frame the tables. The simple and elegant shapes of Wright's furniture facilitated mass production, making the design accessible to the public. Wright believed that this automatism actually came to the aid of design.

This model is emblematic for modernism, due to its solid wood structure that combines curved lines with straight lines for a unique effect.