1098
Green 900, Charles Eames, Black, Height (cm): 25, Weight (kg): 21, Wood, Steel

With a design inspired by the look of a surfboard, Eames Elliptical table can become the centerpiece of your living room. Together with a sofa or several chairs with a modern look, this is perfect for entertaining guests invited at a party on a weekend afternoon.

This table is also ideal for displaying your collection of manufactured ceramics or your favourite magazines. Your family room will acquire a fresh, modern vibe. Using a black birch top and metal legs, the designer Charles Eames has been able to turn the Elliptical table into an item with double-aim: aesthetic and practical.

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1462
Green 900, Isamu Noguchi, Black, Height (cm): 40, Weight (kg): 37, Ash wood, Glass

The famous glass coffee table by Noguchi Isumi is made up of three parts: the glass countertop and the two wooden elements that form the base, which appears to be carved.The concept of the coffee table was created in 1939 for A. Conger Goodyear, the director of the Modern Art Museum in New York. In 1945, architect Robsjohn-Gibbins released a slightly modified version of the table and granted copyright for this product. Thus, Noguchi accused him of plagiarism. In the 1950s, George Nelson, who liked the designer for his talent and work, contributed to the mass production of this piece of furniture.

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1979
Green 900, Isamu Noguchi, Black, Diameter (cm): 120, Height (cm): 72, Weight (kg): 35, Cast iron, Steel, PAL

Following a trip to Japan where he saw a number of objects made of plastic and polyurethane, Noguchi created a stool made of similar materials. "In 1954, I created a swing which Hans Knoll liked. I thought I'd make it in plastic, but he preferred a wire mesh design like Bertoia's, so he asked me to convert the chair into a table." After switching from plastic to wire and going to a bigger size, the Cyclone table was added to the Bertoia collection for several years. The table was removed from production in 1974 but was reintroduced in 2003 in cooperation with the Noguchi Foundation, the design being meticulously reproduced after Noguchi's original sketches.

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624
Green 900, René Herbst, Width (cm): 42, Height (cm): 81, Weight (kg): 5, Steel, Elastic ropes

Expus in premiera la Salonul d'Automne in Paris in anul 1929, aceasta piesa cu design contemporan reprezinta abordarea lui Herbst asupra stilului industrial. Ca arhitect si decorator de interior, Herbst adora stilul modern, fiind numit "omul de otel" datorita materialelor metalice folosite industrial in piesele sale. Acesta considera ca considera ca forma deriva din functia obiectelor, nu invers. Scaunul are o structura simpla tubulara, iar exteriorul sunt facute dintr-un material folosit in permiera in industria mobiliera - corzi elastice folosite pentru pachete si biciclete.

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1136
Green 900, Charles Rennie Mackintosh, Black, Width (cm): 49, Height (cm): 137, Weight (kg): 5.5, Wood, Polyurethane foam, Velvet

Argyle high back chair was made by Scottish architect Rennie Mackintosh for Catherine Cranston's Teapot Room in Glasgow, around 1898-1899. The furniture design for tea sets was Mackintosh's first major project. The chair was exhibited in 1900 at the eighth exhibition in Vienna. Mackintosh had an important contribution to the development of the Viennese artists' community.

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910
Green 900, Charles Rennie Mackintosh, Cream-colored, Width (cm): 41, Height (cm): 140, Weight (kg): 5, Textile, Wood, Polyurethane foam

The Hill House chair symbolically combines the geometric lines inspired by the abstract graphic design of the Japanese design. Through this piece, Mackintosh plays with space, raising back the seat and creating an optical illusion through the horizontal line network. The object has a sturdy solid wood structure that stands out easily to give the interior a modern touch.

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2445
Green 900, Charles Rennie Mackintosh, Black, Height (cm): 75, Weight (kg): 57, Ash wood

Created in 1918 by Charles Rennie Mackintosh, Mackintosh folding table was specifically designed for the holiday home of the famous industrialist W. Bassett Lowke. The client proved to be a difficult one and the design of the table was not accepted. However, Roger Billcliffe, the author of Mackintosh's biography believes that the artist has placed considerable emphasis on this design concept

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1136
Green 900, Charles Rennie Mackintosh, Black, Width (cm): 52.5, Height (cm): 75.5, Weight (kg): 6.5, Woven straw, Mother of pearl

Mackintosh Candida chair was part of a series designed for the holiday home of the great producer W. Bassett Lowke. The client proved to be a difficult one and the design of the table with the adjoining chairs was not accepted. However, Roger Billcliffe, who completed the catalog of Mackintosh's works, believed that the intricate details and elaborate illustrations give the artist's work an intrinsic value.

Despite the fact that Mackintosh didn't have a significant contribution as regards the furniture, he had considerable influence on European design, especially in Austria and Germany.

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1088
Green 900, Charles Rennie Mackintosh, Width (cm): 47, Height (cm): 150, Polyurethane foam, Velvet

The chair was inspired by the design of Mackintosh furniture pieces created in 1910 for Ingram Tea Room in Glasgow. This lacquered black high-backed chair was produced after Mackintosh's death in the 1970s.

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1236
Green 900, Gerrit Rietveld, Natur, Width (cm): 37, Height (cm): 74, Weight (kg): 7, Ash wood

Enjoying immense success, this popular design chair called Zig-Zag is designed by one of Holland's most important furniture architects and furniture makers: Gerrit Rietveld. Considered one of the most popular chair designs, the brand originates from the Netherlands of the 1930's, where it has been produced so far.With an extravagant design, the Zig Zag chair will win you over. Suitable for the living room or outdoor events.

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1993
Green 900, Frank Lloyd Wright, Brown, Width (cm): 54, Height (cm): 81, Weight (kg): 9, Polyurethane foam, Velvet, Cherry wood

According to Frank Lloyd Wright, "Every chair must be designed for the building it will be in."

He saw chairs as an architectural challenge. He would often use tall chairs with straight lines to frame the tables. The simple and elegant shapes of Wright's furniture facilitated mass production, making the design accessible to the public. Wright believed that this automatism actually came to the aid of design.

This model is emblematic for modernism, due to its solid wood structure that combines curved lines with straight lines for a unique effect.

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2688
Green 900, Eero Saarinen, White, Diameter (cm): 120, Height (cm): 72, Aluminum, Marble

Tulip table, sporting a Carrara marble top, is a Eero Saarinenwhich creation which brings to mind of one of the most beloved spring flowers, the tulip, and is inspired by the typical mid-twentieth century design. With a versatile look, easy to integrate into any type of décor, from classic to modern, this table adds a touch elegance wherever it is placed.

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